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Most of their songs Felt sooo confident and sooo far beyond the normal every day realm so as an adult, its a bit boring to realize all the incestuous relationships and kind of disappointing adult complications that inspired this songs. It seemed only fitting that they should come together to form the Ultimate Fleetwood Mac Tribute, and pay homage to a group that dominated the charts during the band members’ formative years. My interpretation is that, Fleetwood Mac was such a fascinating and moving entity to me when I was very young, just a child. The five seasoned, well-respected musicians comprising Tusk have been making music together in various combinations and styles, in original outfits and in cover bands, for over twenty-five years. Tusk covers all the great hits of Fleetwood Mac, which has featured the talents of Mick Fleetwood, Christine and John McVie, Lindsey Buckingham, Stevie Nicks and others over the years. No fancy tricks, no gimmicks, just five musicians recreating the music of Fleetwood Mac to perfection with note for note renditions that no other Fleetwood Mac tribute on the touring scene today can come close to duplicating. It has my favorite lyric from the Wet Hot songs, which is “School’s through / What you wanna do / Let’s rock,” and the next line is “Kids rule / Ridin’ with the deuce / Let’s rock.TUSK is the number one tribute to Fleetwood Mac. Jefferson had this chord progression he was working on, but he was frustrated with it, so I took the parts he thought were good and started from there. Lyrically we hadn’t done that yet, and it seemed very era-appropriate.
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I wanted the song to have the word “rock” in it, like so many of those classic rock-anthem songs. “We Will Rock You” and “Tusk,” they’re songs that were scary to me as a kid, but also totally anthemic and they transcend the era in which they were made. I didn’t want it to be, like, a triumphant anthem. I wanted to capture this sort of dread in it. So I played “We Will Rock You,” which obviously worked because it’s “We Will Rock You.” I played “Tusk” by Fleetwood Mac, which worked really well in a totally different way. If I knew a moment wanted a song, but I didn’t know what it wanted, I would just click play on whatever song popped into my mind on Spotify or iTunes. We knew we wanted it to be this big rock opera moment. We were writing that whole huge climax section, which is wall-to-wall score and pretty big orchestral score surrounding “Let’s Rock” and “Higher And Higher” in the finale. Jefferson and I were sitting around with another member of my team, Matt Novack, who is the composer for Childrens Hospital. I thought I could beat it-not as a song, but as a dramatic moment. I personally did not think “Rock ‘N’ Roll Fantasy” was enhancing the scene enough to push for it as one of the important songs to license. The band has sold more than 100 million records worldwide, making them one of the worlds best-selling bands.
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And I knew I wanted the score to flow seamlessly into it, so it would be like a rock opera moment. Fleetwood Mac are a British-American rock band, formed in London in 1967. Originally they had temped in “Rock ‘N’ Roll Fantasy” by Bad Company, so we knew that was going to be a song moment. So we did it with the USC Marching Band and then, when we were scoring it at Abbey Road, they did some more tracks and layers.ĪVC: This was a moment that clearly needed a specific type of song.ĬW: Yeah, definitely. And from the very beginning we had that opening hunt and we wanted it to be a kind of stand alone setpiece and Alan said, “What about the USC Marching Band ?” We wanted it to feel almost like a football game and he came up with that idea. Kirk: Yeah, early on we had said something like a marching band type of thing and it always stuck and we were always talking about “Tusk.” And we were talking with Alan and he was involved from the very beginning. No fancy tricks, no gimmicks, just five musicians recreating the music of Fleetwood Mac. I wanted to ask you about the music because the opening sequence has an orchestral version of the Fleetwood Mac song “Tusk.” Where did that come from? Tusk is the number one Tribute to Fleetwood Mac in the world, bar none. It’s easily one of the most visually inventive and genuinely heartfelt movies to come out of DreamWorks Animation, and we were lucky enough to speak to Kirk DeMicco and Chris Sanders, co-directors of “The Croods,” about the development of the movie, the differences between DreamWorks Animation and Pixar, who their favorite cinematic cavemen are, how Guillermo del Toro and Roger Deakins helped, and why they utilized Fleetwood Mac’s “Tusk” in the score. A zippy, prehistoric-set riff on the family-road-trip comedy, it features a clan of cavemen (and, it should be noted, cavewomen) who are forced to evolve after cataclysmic events threaten their way of life.
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This weekend, DreamWorks Animation’s new feature “The Croods” was unleashed in theaters nationwide.